033 – Seeders Engraved Style 3 Banjo
This banjo was built as the first prototype for a standard Seeders model I’ve been working on. It’s not named yet and the final details and options being finalized for future builds. It features W.A. Cole and Fairbanks inspired appointments with a few of my own twists. The tone ring is a variation of the classic W.A. Cole Eclipse tone ring, a modern Little Wonder tone ring placed on pins to raise the ring off of the rim. This give is a very crisp punchy sound with a lot of presence that will cut through in a group setting without being too loud or overpowering.
- 11″ Cherry Rim with Black Lacquer Finish
- Eclipse Variant Tone Ring
- Fairbanks Style Peghead Inlay
- Engraved Mother of Pearl Inlays
- 1-5/16″ Bone Nut
- 25-1/2″ Scale Length
- Satin Lacquer Finish
- Nickel Plated Hardware
- Ivoroid Binding on Rim
- Striped Ebony Fingerboard and Peghead Overlay
- Scooped Fingerboard
- W.A. Cole Boat Heel
- Published in Banjos
Birdseye Maple Style 9 Tubaphone
This Tubaphone started it’s life as a 1924 Vega Style X Tubaphone Tenor Banjo. Originally planning to copy the original mother of pearl engraved inlays we instead decided to go a different direction and use a contrasting wood that had some interesting figure. I happened to have quite a unique piece of Birdseye Maple that was perfect even for the small pieces needed for the inlays. It features a lightly figured Mahogany neck with an African Blackwood fingerboard, heelcap, peghead overlay and volute overlay with a Curly Maple fretboard binding and Birdseye Maple inlays. The combination of the shorter scale with the wide 11-13/16″ Tubaphone rim turned out to be an excellent sounding banjo.
This banjo also features a thumb scoop in between the 17th and 21st frets giving you the perfect amount of room to catch your thumb while playing over the fingerboard.
- Original Vega Style X 11-13/16″ Tubaphone Pot
- Three Piece Figured Mahogany Neck
- African Blackwood Fingerboard, Peghead, Rear Peghead/Volute Overlay and Heelcap
- Highly Figured Birdseye Maple Inlays
- 1-3/8″ Nut Width
- 25.5″ Scale Length
- EVO Fretwire
- Curly Maple Fingerboard Binding
- Oettinger Style Tailpiece
- Vega Tubaphone No. 9 Style InlaysPointed Volute
- Pointed Volute
- Thumb Scoop 17th to 21st Frets
- Published in Banjos
032 – Brass Star Curly Maple Banjo
- Published in Banjos
Henry Dobson Reproduction Neck
This Dobson was a very unique project. The owner purchased the original banjo on eBay and when it showed up it turned out to be a little more beat up than anticipated. Wanting a Dobson that would be a durable everyday player we decided to recreate the neck with just a few minor modern upgrades. I tried to keep as close to the original aesthetic as possible while giving it a thicker fingerboard, neck profile and fifth string transition. While the finish was far from original, it had such a cool look to it that I did my best to match the feel. I was able to save the original dowel stick with Henry Dobson’s ID stamps which was an extra bonus. The textured rim is fairly unique as well, I believe they were made for a short time by Buckbee for use on these Dobson models as well as some of the Celebrated Benary banjos of the same time.
- 11″ Original Henry Textured Dobson Clad Rim with Patented Dobson Tone Ring
- 6th fret 5th String transistion
- Dyed skin head
- Peghed Tuners
- Nickel Silver Inlays
- Madagascar Rosewood Fingerboard and Peghead Overlay
- Walnut Neck
- Hand Rubbed Oil Finish
- Brass Scoop Plate
- Published in Banjos, Restorations
Maple Leaf Spun Rim Banjo
This Walnut necked banjo features a very nice spun rim most likely from the Buckbee factory or possibly a Fairbanks. It is simply adorned with an engraved Maple leaf and unengraved star on the fingerboard. The rim features 30 brackets and is a nice heavy spun rim construction that lends to a great sounding banjo. This banjo was designed as a short “A” scale banjo.
- Walnut Neck
- 11″ Nickel Spun Rim with Original Hardware (possibly Buckbee)
- 1-3/8″ Nut
- 22.72″ Scale Length
- Engraved Mother of Pearl Maple Leaf peghead inlay
- Ebony Fingerboard and Peghead Overlay
- Ogee Scoop
- Hard Oil Finish
- Dobson Heel Profile
- EVO Frets
- John Balch Hide Head
- Published in Banjos
Vega Little Wonder Conversion Banjo
A 12″ Vega Little Wonder rim that, like many of these, was originally a tenor banjo. The neck was long gone and the owner happened to have a very nice piece of Santos Mahogany around that an old friend had given him many years ago. Sticking with a simple Vega aesthetic I created a new neck from the wood he sent. It turned out to be an excellent neck material and a perfect color match for the stained maple rim. A simple adorned but extremely enjoyable banjo to play. The Little Wonder rims and tone rings are often overlooked but they can have an excellent sound when setup correctly.
- 26-3/16″ Scale Length
- 11-15/16″ Vega Little Wonder Rim
- Ebony Fingerboard, Peghead and Heelcap
- Mother of Pearl Inlays
- Original Dowel Stick Construction
- Calf Skin Head
- Published in Banjos
Vega Tubaphone Slothead Banjo
A nice old original Tubaphone rim with an original Tubaphone resonator. The client wanted a slothead neck with simple aesthetics setup for fingerstyle playing.
- Original 11″ Vega Tubaphone Rim with Resonator
- 25.5″ Scale Length
- Curly Hard Maple Neck with Ebony details
- Brass side dot inlays
- Micro Dot Mother of Pearl Fretboard Inlays
- Slothead Peghead
- Seeders Curved Bridge
- Renaissance Head
- EVO Fretwire
- 2 Way Truss Rod Hidden in Heel
- Published in Banjos
Washburn Raised Tone Ring Slothead Banjo
This banjo started it’s life as a Washburn Banjolin. It had a broken and badly repaired neck that wasn’t worth saving so I built this neck to go on the rim. It has a very unique design that Washburn used for a few years with many tenor banjos and banjolins. It has a pleasant but unique sound as you could expect from the odd construction of the tone ring and is fun to play.
- 25.5″ Scale Length
- 2 Way truss rod hidden in Heel
- Curly maple neck with Ebony Details Stained to Match Rim
- Ebony short backstrap overlay
- EVO Frets
- Small Dot Mother of Pearl Inlays
- Brass Side Dots
- Washburn Raised Tone Ring Spun Rim
- Slothead Peghead
- Goat Skin Head
- Seeders Fielding Style Bridge
- Soft V-C shape neck profile
- Published in Banjos
031 – Internal Resonator Tennessee Banjo
This banjo was built for a Tennessee native as you may be able to tell. It features a Bacon style Internal Resonator rim with Tennessee themed inlays. It has a big, dark, plunky and rich sound that you would expect from an internal resonator banjo with a 1/4″ brass rod tone ring.
- 26-3/16″ Scale Length
- Maple Neck and Bacon style Internal Resonator Rim
- 1/4″ Brass Rod Tone Ring
- Honduran Rosewood Fingerboard
- Claro Walnut Peghead Overlay
- Recon Stone and Gold Mother of Pearl Tennessee Inlays
- Backstrap and mini volute
- 1-1/4″ Buffalo Horn Nut
- Renaissance Head
- 16 Hooks
- Antiqued Brass Hardware
- Published in Banjos
030 – Pipe Makers Banjolin
This banjolin was custom made for my friend Steve Norse who owns and runs Vermont Freehand/Pimo Pipecraft. We chose to make as many pieces as possible from the pipe making supplies that he sells. The rim is Italian Briar with an Ebonite rim cap. The neck and peghead overlay is Morta, a Ukranian bog oak that turns black because of the trees were submerged in bogs for many thousands of years with exposure to acidic waters and lack of oxygen. It’s carbon dated to approximately 5500-5600 years old. The fretboard is made from Cumberland, a vulcanized rubber that is used for stems of pipes. The inlays and heelcap are pre-ban salvaged ivory.
- 10″ Italian Briar Rim
- 14-9/16″ Scale Length
- 1-1/4″ Nut
- Ebonite Rim Cap
- Cumberland Fretboard
- Ivory inlays
- Morta Neck
- Buffalo Horn Nut
- Published in Banjos